Showing posts with label suzanne lindon. Show all posts
Showing posts with label suzanne lindon. Show all posts

Saturday, January 8, 2022

spring blossom

Suzanne Lindon impressively writes, directs, and stars in Spring Blossom. The coming-of-age movie is like a slim novella--the kind read outdoors at a sunny French café--similar to one depicted in the film--with a ringed coffee stain on the cover. Lindon plays sixteen year old Suzanne. Suzanne is somewhat awkward, soft-spoken, bored at school and bored of her schoolmates. At a party a friend asks her which of the boys there are cute and to rank them on a scale of one to ten: "If I really had to do it," Suzanne says, "I'd give everyone a '5'." Her sister and her parents are amicable and low-key, an ordinariness that doesn't call much attention to itself. There's a lot of chewing pens, staring off in mid-distance, nibbling on breakfast, checking one's nails. This mundanity is interrupted by a handsome theater actor named Raphaël (Arnaud Valois) who, often in solitude, frequents the café near Suzanne's morning route. Well-dressed, strong, bearded, with curly dark hair and piercing yet gentle eyes and a cherry red scooter, Suzanne is captivated by him from afar. 

Lindon's film is well-crafted, eliciting a strange symbiosis between the pair--from uneventful little details (removing make-up from eyes) to the more fanciful, especially once they move closer together: choreographed dances (set to, of all things, the driving strings of Vivaldi's sacred music from Stabat Mater--a nice inverse to the driving strings in Mary J. Blige's "Family Affair" in a memorable party scene shot). As in any teenaged story, music has a particular, centerpiece impact. The delicate score is by Vincent Delerm; showing all the many myriads of talent, Lindon also sings the main theme song, "Seize printemps," as well. This tale is a fleeting one, and predictably not much happens between the two, but Suzanne's longing is palpable, as is Raphaël's quiet interest. When Suzanne enters his world through a party scene, the differences between them deepen. This modest film has its moments of distinctive observation, and shows incredible promise for Lindon. ***


-Jeffery Berg