west end music

Dj Giac Bootlegs aka Giac the Lad does a nice job mashing up Pet Shop Boys with Madge.

Dj Giac Bootlegs · Madonna Vs Pet Shop Boys - West End Music (DJ Giac Mashup)(2021)

ryan tagged

Not that I can afford TAG Heuer, but I am loving this Ryan Gosling as ambassador ad campaign. Photos are shot by Pari Dukovic.

love nwantiti

OK, Steph Seroussi is bringing up good vibes with this mashup of CKay's "love nwantiti" with Bill Withers & Grover Washington, Jr.'s "Just the Two of Us."

Steph Seroussi · CKAY - LOVE NWANTITI (STEPH SEROUSSI SMASHUP)

modern toy

The band Glove drops a spunky, synthwave banger, "Modern Toy."

Here's the music video!

i never thought that you were listening

In March, I called out Jenny Kern's exquisite single "Run." 

Now Kern's EP, “I Never Thought That You Were Listening," has dropped.

Smooth vibes lie herein.

superstition remixed

Nothing beats the original, of course, but here's an excellent, fiery mix of Stevie Wonder's "Superstition" from lon.

𝗹𝗼𝗻 · stevie wonder - superstition (LON remix)

am i my résumé?

I made this 4-CD set, Am I My Résumé?, for my friend Ben Sher.

The title comes from a strand of lyric from A Chorus Line which repeats itself a few times throughout. It suddenly became an overarching thematic line in many of the songs with the idea of work, jobs and identity. From a 50s magazine, I found an image of a kid's drawing of a gas station attendant with the child pointing at him. It is a crystalline, sort of biting encapsulation of human = job.

Knowing Ben's eclectic taste, I felt the freedom to be bold with some of the choices and include things like Sheena Easton's "9 to 5 (Morning Train)" which ended up pairing so elegantly with St. Vincent's "My Baby Wants a Baby" as a poignant coda on the final disc (it just so happens I found another symbolic ad from the 50s magazine of a woman staring into a white wicker buggy).

I loved re-discovering the song "Worthless" from Brave Little Toaster--which has to be one of the saddest tunes ever from an animated movie--where junkyard cars quickly rattle off their life stories before being demolished. Its first line "I can't take this kind of pressure" went well with an extended, charged Jimmy Michaels' remix of the Billy Joel song.

I also wrote and performed some simple piano themes for Ben which I think I'll continue doing for future mixes. One interlude is a track of beats, "Mall at Dusk," which morphed into Carter Burwell's haunting electro track "Duke in Bar (Warm as a Cry for Help" from Psycho III.

Given all the music cues I set up on the first and second discs, it became apparent I was creating something sprawling & had to keep going. I tried to hone things in for landing on the fourth disc, which ended up becoming more country-infused than I expected. It opens with a song I think I've taken for granted over the years, finding it corny, but now it feels like such a winsome, perfect pop song in these turbulent times--Climax's "Precious & Few."

All 4 back covers:

-Jeffery Berg