I've been really impressed by two thoroughly American climate change-minded documentaries from this year so far: the Tangier Island-set Been Here Stay Here, and the roaming rumination of Humboldt USA.
My Film-Forward reviews are here:
I've been really impressed by two thoroughly American climate change-minded documentaries from this year so far: the Tangier Island-set Been Here Stay Here, and the roaming rumination of Humboldt USA.
My Film-Forward reviews are here:
My review of Baz Luhrmann's bombastic, fairly dazzling concert doc EPiC: Elvis Presley in Concert, here at Film-Forward.
I was moved by Lee Sang-il's sprawling Kokuho. The kabuki theater sequences are absolutely stunning.
My review of James Vanderbilt's Nuremberg is now up at Film-Forward.
I thought the cast overall was good, particularly Russell Crowe (his best performance in quite some time), Michael Shannon, and Richard E. Grant.
The epic-scope approach is quite overcooked and overlong, with simplistic subplots, but the main story between Douglas Kelley and Hermann Göring is fascinating.
My review of the much-anticipated (and divisive!) Lynne Ramsay film, Die My Love, is now up at Film-Forward.
via Mubi
Pillion plays like a fizzy romcom, except with deep dramatic undertones.
"While quietly composed, Alexander Skarsgård is doing tricky, believable work—sometimes a seemingly empty pain behind Ray’s eyes and an occasional inner wrestling feels tangible."
My New York Film Festival review of Pillion is now up at Film-Forward.
via A24
I was thoroughly engaged with Richard Linklater's bittersweet Blue Moon.
My New York Film Festival review is now up at Film-Forward.
Luca Guadagnino's After the Hunt was the opening night selection at this year's New York Film Festival.
I enjoyed the film and its aesthetics (those oversized blazers!), but all of its elements don't gel, and there are weird point-of-view shifts that leave its side characters, especially Ayo Edebiri's, in the dust.
Still worth watching for a vigorous performance from Julia Roberts. Always a treat to see her tackle brittle characters.
My Film-Forward review is here.
An imperfect film, but Everett Blunck's performance is terrific as a tween with a die hard focus on mounting his artistic vision.
My review of Griffin in Summer here at Film-Forward.
My review of the beautiful, coming-of-age documentary of a Norwegian gap-year program, Folktales, from directors Heidi Ewing and Rachel Grady, is here at Film-Forward.