Showing posts with label warren beatty. Show all posts
Showing posts with label warren beatty. Show all posts
Friday, July 27, 2012
shameless warren beatty picture post
So I recently watched Reds and I loved it. I think I was seduced by Warren Beatty's charm but sort of amazed and awed by his directing skills. He definitely understood tone and how to scale the pic. Such an epic story but full of great scenes of intimacy. Lord though was he hot back in the day.
Wednesday, March 24, 2010
all fall down
A gorgeous Warren Beatty (in his third film role) makes an impact as the angsty drifter Berry-Berry in John Frankenheimer's 1962 melodrama All Fall Down.
Even though Berry-Berry lives far away in Florida--working odd jobs and abusing women--his younger brother Clinton (Brandon DeWilde), eccentric, alcoholic father (Karl Malden) and overbearing mother (Angela Lansbury) idolize him with a myth-like status. Berry-Berry's name suggests a chronic disease and indeed he poisons everyone around him. Once he comes back home, he quickly falls hard for the widowed and damaged Echo O'Brien (Eva Marie Saint) whom Clinton also lusts after.
Even though Berry-Berry lives far away in Florida--working odd jobs and abusing women--his younger brother Clinton (Brandon DeWilde), eccentric, alcoholic father (Karl Malden) and overbearing mother (Angela Lansbury) idolize him with a myth-like status. Berry-Berry's name suggests a chronic disease and indeed he poisons everyone around him. Once he comes back home, he quickly falls hard for the widowed and damaged Echo O'Brien (Eva Marie Saint) whom Clinton also lusts after.
John Frankenheimer (The Manchurian Candidate
) and cinematographer Lionel Lindon (Academy Award winner for Around the World in Eighty Days
) inject a lot of unique visual flair into a film that sometimes feels stagy. It's well-cast. Besides being populated with unique bit players, all of the principals shine. Lansbury overplays things a dash and disappears into her role. Malden is well-suited as the kooky (and Communist) father. Eva Marie Saint is lovely and sufficiently tragic. And the too-beautiful Beatty is both charming and callously offensive. But the heart of the picture is Brandon De Wilde. What a terrific, handsome young actor (also so wonderful in Hud
) who tragically died too young. He pretty much outplays the pros as the isolated, adoring high school dropout who habitually writes down all the conversations around him and eventually grows up. Picnic
playwright William Inge's script (based on a James Leo Herlihy novel
) is a little too quirky and melodramatic and things don't really pan out in a dramatic or satisfying finish. But the film is still well-acted and nice to look at. ***
) and cinematographer Lionel Lindon (Academy Award winner for Around the World in Eighty Days) inject a lot of unique visual flair into a film that sometimes feels stagy. It's well-cast. Besides being populated with unique bit players, all of the principals shine. Lansbury overplays things a dash and disappears into her role. Malden is well-suited as the kooky (and Communist) father. Eva Marie Saint is lovely and sufficiently tragic. And the too-beautiful Beatty is both charming and callously offensive. But the heart of the picture is Brandon De Wilde. What a terrific, handsome young actor (also so wonderful in Hud) who tragically died too young. He pretty much outplays the pros as the isolated, adoring high school dropout who habitually writes down all the conversations around him and eventually grows up. Picnic playwright William Inge's script (based on a James Leo Herlihy novel) is a little too quirky and melodramatic and things don't really pan out in a dramatic or satisfying finish. But the film is still well-acted and nice to look at. ***
-Jeffery Berg
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